Problems with the ‘Scientific’ Dating of Sappho’s Midnight Poem

Marguerite Johnson does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment. For those who have read the fragmented remains of the Greek poet, Sappho the loss of most of her poetic corpus is something to regret. With a mere two complete poems extant from nine books of verse, much is left to the imagination in the reconstruction of the output and life of this most mysterious of ancient poets. So revered was she that the ancients called her the Tenth Muse, and her songs were passed down over centuries, inspiring generations of poets, none of whom managed to replicate her command of metre and sensual artistry. How Sappho managed to acquire the educational acumen to compose her masterpieces has sometimes baffled both ancient and modern scholars. Women lived quiet and controlled lives in ancient Mediterranean cultures with limited, if any, access to formal education. If there were any perceived need to teach a girl basic skills in reading, writing and arithmetic, it was only to equip her to run a household once she was married-off. Even if a girl demonstrated extraordinary artistic skills, there was usually no avenue to express them, as the aspirations of women were limited to marriage and motherhood. Females who displayed a talent were normally suppressed and regarded with suspicion. Because men were the artists, intellects and leaders.

Sappho Live, Da’an: Address, Phone Number, Sappho Live Reviews: 4/5

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Dirk Obbink, “Sappho Fragments 58– Text, Apparatus Criticus, and Translation,” The Center for Hellenic Studies of Harvard University, online edition of March 11, and testimonia for Sappho’s poetry dating back more than two millennia.

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Roman Receptions of Sappho

The poet Sappho from the Greek island of Lesbos was revered almost as much as Homer in classical antiquity. Plato called her the Tenth Muse and she appeared on coins and statues for centuries. She reportedly created at least 9 books worth of verse containing poems, but sadly all that remains are about fragments recovered in the late s from a garbage dump in Oxyrynchus, Egypt.

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Don’t have an account? Sappho, by contrast, depicts Helen as a number of scholars have noted as full of agency. The argument is set forth that Helen is for Sappho a cyborg fusion of poet and poem, and indeed an embodiment of the paradoxical nature of lyric poetry itself, which ever mediates between the specific here-and-now and the universal. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

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Judging from the style of the handwriting, Obbink estimated that it dated to around A. But, as he looked at the curious pattern of the lines—repeated sequences of three long lines followed by a short fourth—he saw that the text, a poem whose beginning had disappeared but of which five stanzas were still intact, had to be older. Much older: about a thousand years more ancient than the papyrus itself.

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I would fain have enriched this edition of my Sappho with some new words of the poetess, if only even to the slight extent which I reached in ; but, to the world’s sorrow, that pleasure has been denied me. Still, we need not yet give up all hope, after the unexpected discovery of the unknown Mimiambi of Herondas, on a papyrus-roll used to stuff an Egyptian mummy-case, so few years ago cf.

The Academy , Oct. Neverthless, I can now present to the lovers of Sappho a good deal more than was heretofore in my power; in a new form, it is true, but with the same beautiful Greek type. And with this third edition I am enabled to give a reproduction, in photogravure, of the charming picture of Mitylene by the late Mr. Clarkson Stanfield, R. Garnett, of the British Museum. To enumerate the pictures that have been painted, the articles and books and plays that have been written, which have appealed to the public in the last ten years, would be an almost impossible task.

In my Bibliography I have endeavoured to give a reference to all that is of prominent and permanent interest, ranging from ‘the postman poet,’ Mr. Hosken, to the felicitous paraphrases—some fractions of which I have taken the liberty to quote in the text—of ‘Michael Field’ in her Long Ago. The translation of the Hymn to Aphrodite, which was made for me by the late J.

Addington Symonds, now appears in the amended form in which he finally printed it. Professor Palgrave has kindly allowed me to include some versions of his, made many years ago.

Sappho’s Brothers Song and the Fictionality of Early Greek Lyric Poetry

George Depue Hadzsits, Ph. University of Pennsylvania. David Moore Robinson, Ph. The Johns Hopkins University.

We do not know with certainty the date either of her birth or of her death, but the years from B.C. to B.C. may reasonably be assumed to.

Immortal Aphrodite, on your intricately brocaded throne, [1]. And you came,. Rapidly they came. And you, O Blessed Goddess,. Sappho, who is doing you wrong? For even if she flees, soon she shall pursue. And if she refuses gifts, soon she shall give them.

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This paper examines some echoes of Catullus’ poetry in Heroides 15, chiefly but not exclusively from Catullus’ poems in the elegiac meter. But I do so out of conviction, not merely convenience. Several of the arguments favoring authenticity presented in a essay by Gianpiero Rosati affirm my conviction. Yet both sides in the argument over whether or not Ovid himself wrote Heroides 15 adduce its close relationship with Amores 2.

The Center for Hellenic Studies of Harvard University, online edition of March Sappho’s poetry dating back more than two millennia. Scholars.

Don’t have an account? The introduction departs from three Sappho scholars, Welcker — , Wilamowitz-Moellendorff — , and Robinson — , and reflects on the scholarly implications of how their times were ideologically different from ours. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

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